Based on the true story of a Japanese young man that crossed the American continent by roller skating.

When two oddball strangers leave their lives behind to chase their Hollywood dreams, they discover that what they lack in talent, they make up for with determination and a shared delusion, leading to an unexpected friendship that will make them question the realities of chasing a dream.

A Long Run tells one man's story, but it's every runner's journey. Bob Anderson's amazing life connects us to icons like Bill Rodgers, Billy Mills and Paula Radcliffe but also to the low-budget thrill of a community 5K. The gorgeous cinematography captures The Avenue of the Giants, the San Francisco landscapes and the vistas of Fort Bragg. And the smoothly intertwined stories - his 50-race challenge, the magazine, the running boom - are handled with Olympic-caliber pacing.

After completing 35 consecutive Boston Marathons, Derm Holwell reflects on the trials and triumphs of nearly half a century of running.

A young mother faces hardship in the form of an abusive ex-husband and overzealous social worker.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

RUN, RUN, a polished live-action effort shot by Jim Henson and Frank Oz in Greenwich, CT in October 1965, is a visualization of the joys of childhood and the wonder of nature. In the short, Jim’s daughters run freely through woods saturated by the colors of autumn into the warm embrace of their mother. The action is underscored by Joe Raposo’s lilting music, giving a sense of visual poetry.

Run, Joe, Run was a Saturday morning television program that aired on NBC from 1974 to 1976. It centered around Joe, a German Shepherd in the military's K-9 Corp., and his master, Sergeant Will Corey. One day, during training, Joe was falsely accused of attacking his master, a crime for which the dog would be put to sleep as punishment. However, he escaped before being killed and a $200 bounty was put on his head.Sgt. Corey believed Joe was innocent and also pursued him, hoping to find Joe before the authorities did. While on the run, Joe helped people he encountered.During the show's second season, Sgt. Corey, having never found Joe, was called back to duty. Joe then teamed with a hiker, Josh McCoy, and continued to help others, all the while still on the run.The show was considered as a cross between Lassie and The Fugitive. Like The Fugitive, and later, The Incredible Hulk, it centered around a falsely accused person running from authorities and helping out people he meets along the way. The show was produced by William P. D'Angelo Productions, who also produced the NBC young adult drama, Westwind.

The regular life of Tolya from Siberia is coming to an end: his wife is pregnant. Fearing the weight of responsibility he runs away to work on a shift. However, things don't go as planned. While on a train journey, Tolya meets a homeless boy Kolya. Due to a series of coincidences, wrong decisions, and the cunning of the young boy, Tolya is mistaken for a child kidnapper, and now the police are on his trail. Tolya finds himself playing an unexpected role of a nanny and tasked to deliver his new ward to his relatives in the town of Kogalym. Failure isn't an option, as it would cost him everything: his wife, job, and the future.

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